When Policies Change: Writing Product Descriptions

Full control over projects and enterprises is always nice, particularly creative projects. Or at least, it always feels nice. A nice thing about Zazzle then (and presumably other print-on-demand companies), is that Designers have full creative control over their work. Sure, Zazzle does have a few restrictions for art and photos (for instance, nothing that can reasonably viewed as discriminatory, nor anything that encourages drug abuse, is excessively violent, nor obscene or pornographic in a non-artistic way), but in all reasonable and understandable ways, Designers are free to create whatever they want. Of course, this extends to whichever products to post as well, plus, how to organize and present them.

Yet one is always well-advised to re-evaluate their work and practices at times, and as with being part of any community undertaking, overseen and managed by a third party, sometimes, Zazzle makes changes that encourage, or even force, Designers to react. Zazzle does these things, of course, not only in their own best interests, but those also, ultimately, of their Makers and Designers. And while such changes can understandably be frustrating at times (and granted, not all changes will directly benefit all Designers), taking time to adjust to and occasionally limiting what one can choose to do, if nothing else, they are, again, simply a part of creating and selling in conjunction with a company.

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Placing Images for Changing Products

When placing an image on a product, it would be nice if its appearance remained consistent across different forms of the product. In particular, when placing an image on one shape or style of a product, if it still looked good on all the other ones. After all, no Zazzler wants customers to select a certain form of a product, only to be met with a less-than-good appearance of an image or, worse, empty space. Yet placing images for consistency of appearance can be a bit of a challenge. Not only can Makers offer new forms or styles of existing products, ones which have different design dimensions, but sometimes, just getting an image to look good on all the existing options can be problematic.

Designing for Zazzle thus requires some careful thought on how to go about placing images, at least if they are intended to fill all the design area of a product. (Note that the design area includes the safe area, guaranteed to remain on the finished product; a border which may or may not get cropped during printing; and a bleed area which is supposed to get cut, except not assuredly.) Obviously the shape of an image plays a big role, as does the precise placement, with centered, square images seemingly being the safest to work with. Aspect ratio and precise placement aside though, in my experience, it is usually just a matter of fully expanding the image on all the different forms of a product in turn, and then checking on all the others to see how things look. Appearance can then be optimized for all current forms, at least, simply by working on the “right” one to begin with.

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Competition vs Cooperation

Z in a circle, logo of Zazzle

© 2000-2015 Zazzle Inc. Used with Permission

So I launched a store on Zazzle.com about three weeks ago, and a lot went into getting everything all set. (And now with setting up this blog and off-site site, a lot is still going into it all.) Not least of all was actually creating some drawings, many of which you can find in my portfolio. Nor was learning about how to best scan and digitize images for placing them on products, or the untold time spent posting the actual products and writing their descriptions and such. (Each of these are of course ongoing to a lesser extent as well.) But a bigger matter loomed over it all: what I am truly trying to accomplish, and how should I go about accomplishing it?

Zazzle has hundreds and hundreds of stores, all offering some combination of the comparatively limited number of products that store owners can possibly post. Which is to say, Zazzle has “Makers” who manufacture, print, and stock particular products, while numerous “Designers” (the store owners) supply the drawings, paintings, photos, digital art, or whatnot else to actually appear on said products. With so many, many sellers but only a comparatively limited number of fundamentally different items, how can any one store and seller expect to attract many buyers?

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